ART 200:
BBC - How to be a surrealist with Philippa Perry
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lonely landscapes, bizarre
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1920s Breton (was in art DADA) a poet sparked the surrealist movement ‘surrealism manifesto’ — actual functioning of thought, produce work free from aesthetic concerns, be in a Passive state of mind and start writing and the writing automatically turns to drawings — didn’t matter what it looked like as long as it channeled the unconscious
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Patriarchal and male dominated - conveys a unfair and seedy representation of women and are wrongly perceived
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1930 mannequin surrealist exhibition seen as a violation of women a visual representation of objectification of women
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Hans bellmer disembodies the mannequins and cruelly disfigures them, disturbing overtones of violence and paedophilia as these are child mannequins
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Ernsts collages worked to disturb logic and upset hierarchy - images from high and low culture combined and so mixed up and removed its original meaning
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John stezaker — postcard collection combined with film stills to create A surreal magical composition, sees the dream world as real as the real world
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Dali a modest hyper realistic surrealist painter - says he contributed nothing to art and doesn’t see himself as a famous painter despite his very recognisable work
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Dali had a paranoic critical method which was the viewers first impression of a piece is the one that fascinated him most he likes to see how peoples minds play tricks on them